Document from Dutch FM lodge claim earth is Concave

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Found shared online












Found some other translations online
https://www.reddit.com/r/conspiracy_commons/comments/1hp03kp/leaked_documents_from_dutch_freemason_lodge_claim/ –

Translation / ChatGPT:

Part 1 of 3…

IMAGE 1:

Where Abraham awaited the city (Hebrews 11:10-16). Can you place the aforementioned scriptures on a globe? Isaiah 40:22: “He sits enthroned above the heavens, with a circumference like a belt.” At the time of God (EL), Joshua 40:22, [Hebrew: “creation”]. Creating the Earth, an original paradise. John 10:28: “I give them eternal life.” Psalm 97:2: “The throne of God is surrounded by light.” Also in 2 Kings 23:5: “The sun and stars were worshiped as a spherical celestial body.”

×××

General Explanation:

The content of Image 1 presents a biblical and cosmological narrative, integrating biblical references to illustrate divine creation, sovereignty, and judgment.

Creation and Cosmology:

Isaiah 40:22 emphasizes God’s position above creation, with the Earth depicted as a “belt” or circular structure.

It is suggested to align biblical creation with the structure of the globe (a symbolic interpretation).

  1. Abraham’s Vision:

The references to Hebrews 11:10-16 highlight Abraham’s expectation of a celestial city, connecting the earthly and divine realms.

  1. Divine Sovereignty:

Psalm 97:2 describes the throne of God as surrounded by light, symbolizing purity and perfection.

This is tied to the theme of God (EL) at the heart of creation.

  1. Judgment (Gehenna):

The mention of Gehenna (Valley of Hinnom) emphasizes themes of divine judgment and the separation of light (purity).

Concrete Conclusions:

Symbolic Structure: The text integrates scriptures into a visual framework, linking the shape of the Earth to a divine purpose.

Key Themes: Creation (Isaiah), Expectation (Hebrews), Light (Psalms), and Judgment (Gehenna) are interconnected.

Purpose: Encourages reflection on biblical truths while visualizing a spiritual cosmology.

Part 2 of 3...

IMAGE 2:
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Context and Analysis

General Explanation:

Main Themes:

  1. Creation and Clarity: The Earth is described as being “clothed around God,” emphasizing divine intention and design.
  2. Light vs. Darkness: Mentions of “darkness to light” suggest a spiritual transformation, potentially referencing the creation narrative.

Residual Elements:

  • Physical remnants such as oil and gas are described as “residual values,” symbolizing the remaining elements of creation.

Biblical Context:

  • Genesis 1:6-8: Refers to the division of waters and the sky during creation.
  • This aligns with the broader theme of God’s craftsmanship.

Full Translation of All Texts:

Main Body:

  • “Speculations: ‘The Earth was clothed around God.’”
  • “With pleasure back to the Day of Wisdom and Eternity.”
  • “What is the purpose of this? From darkness to light.”

Notes and Smaller Fragments:

  • “Genesis 1:6-8. Read some [interpretations].”
  • “Wall display, oil and gas are residual values.”
  • “The architecture of creation to map out.”

××××××

Step 2: Translation (Step-by-Step)

Main Paragraphs:

  1. “Spc ‘Aarde ws kland om God’”
  • Refined: “Speculatie: ‘De aarde was gekleed om God.’”
  • Translation: “Speculations: ‘The Earth was clothed around God.’”
  • Context: Describes the Earth metaphorically, emphasizing divine craftsmanship.
  1. “Gia TRg7 re Sage Daye ® Ee”
  • Likely fragmented or distorted. Reconstruction attempts:
  • “Graag terug naar Sage Day en Eeuwigheid.”
  • Translation: “With pleasure back to the Day of Wisdom and Eternity.”
  1. “en Gri- 22397 |”
  • Uncertain; likely a note or fragmented reference.
  1. “Va toee) © is, | Buinanvn duimanis Gdoner= ince) © 7”
  • Refined: “Vaartoe is, Buinan van de duisternis. Donker en licht.”
  • Translation: “What is the purpose of this? From darkness to light.”
  • Context: Likely contrasts the spiritual transformation from darkness to illumination.

Smaller Notes and Fragmented Lines:

  1. “ak 4 dpunto di alo al”
  • Translation unclear; fragmented and possibly distorted.
  1. “se aruiouemachag 6 a oe te”
  • Refinement attempts: Likely “se architectuur 6 om te tekenen.”
  • Translation: “The architecture of creation to map out.”
  1. “Gen t:8-6 Lees Ses yo”
  • Refined: “Genesis 1:6-8. Lees enkele (bepaalde).”
  • Translation: “Genesis 1:6-8. Read some [interpretations].”
  • Context: Refers to the creation of the sky and waters.
  1. “Muus=woton- olie Gas7 is Restwaan:”
  • Refined: “Muurovertoning, olie en gas zijn restwaarden.”
  • Translation: “Wall display, oil and gas are residual values.”
  • Context: Suggests physical remnants of creation processes.
  1. “cuotnmsinn daar ua00; op don dawn”
  • Likely fragmented; no clear translation.
**Part 3 of 3**

IMAGE 3

“Thus, space travel (outside the circle of the ‘360° atmospheric sphere’) is perceived from inside the ‘mantle,’ the tent, or the hollow structure of the Earth surrounding the core (God EL). The space photo of the Earth in B is an optical representation. Since the circle’s circumference is 40,000 km, capturing such a vast size in one photo is impossible. The photo in B appears spherical due to the use of a fisheye lens, but it is very limited. That’s why the rest is displayed in black. Your perception is therefore an optical image within the terrestrial cell or ‘mantle.’ The thickness of the Earth’s ‘mantle’ in kilometers is unknown. You also understand that a globe (ball) cannot extend outward. Consequently, God’s Earth is not a planet but a cell. Its foundation is God (EL), as written in Psalm 119:90 and Ecclesiastes 1:4.”

Key Statements from the Last Paragraph:

  1. Earth as a “Cell” or “Mantle”:
  • The Earth is metaphorically described not as a conventional planet but as a contained, layered entity.
  • This metaphor emphasizes the spiritual and symbolic nature of creation.
  1. Perception and Spatial Limits:
  • Space photos representing Earth as a sphere are described as limited optical representations.
  • This ties to the idea of human perception being constrained, focusing on the concept of the Earth as a “cell” or “mantle.”
  1. Biblical References:
  • Psalm 119:90: Highlights God’s eternal faithfulness in creation.
  • Ecclesiastes 1:4: Emphasizes Earth’s permanence through generations.
  1. Core as “God (EL)”:
  • God is described as the foundational “core” of this symbolic structure, central to creation.

Principal Conclusions:

  1. “Gods aarde is geen planeet, maar kleed”
  • Translation: “God’s Earth is not a planet, but a mantle.”
  • Reiterates the metaphor from earlier images, emphasizing the symbolic representation of Earth as a “mantle” rather than a physical planet.
  1. “SL vert: 2 Kon. 23:5”
  • Translation: “2 Kings 23:5.”
  • Refers to the worship of celestial bodies like the sun, moon, and constellations, contrasted with a worldview centered on the divine.
  1. “Zo wordt ruimtevaart (buiten ‘dempkring’ cirkel 360°)”
  • Translation: “Thus, space travel (outside the ‘360° atmospheric sphere’).”
  • Connects to a physical representation of Earth viewed through a spiritual framework. The “360° circle” symbolizes a boundary between Heaven and Earth.
  1. “De ruimtefoto van de aarde bij B”
  • Translation: “The space photo of Earth in B.”
  • Refers to a visual element in the diagram, suggesting an optical or symbolic perspective of Earth.
  1. “Daarom is Gods aarde geen planeet, maar een cel”
  • Translation: “Therefore, God’s Earth is not a planet but a cell.”
  • Compares Earth to a living cell, symbolizing interconnection and divine design.
  1. “PS 119:90 en Pred. 1:4”
  • Translation: “Psalm 119:90 and Ecclesiastes 1:4.”
    • Psalm 119:90: “Your faithfulness continues through all generations; you established the Earth, and it endures.”
    • Ecclesiastes 1:4: “Generations come and generations go, but the Earth remains forever.”
  • These passages underscore the permanence of God’s creation.
  1. “H2O water concave”
  • Suggests water as a fundamental element in creation, potentially linking to Genesis and the “waters above and below.”
  1. “Joh 14:26” and “Luk 23:42”
  • John 14:26: Refers to the Holy Spirit as a teacher sent by God.
  • Luke 23:42: The thief on the cross asks Jesus to remember him in His kingdom, symbolizing redemption.

Specific Statements:

  • God’s Earth is described first as a “mantle,” then as a “cell,” emphasizing a symbolic, interconnected creation.
  • The diagram incorporates spheres and 360° layers, symbolizing the connection between physical and spiritual realms.
  • Water (“H2O”) is described as “concave,” hinting at its foundational cosmic role.

General Explanation:

The third image reinforces the symbolic cosmology observed in the first two:

  1. The Earth is not a planet but a metaphysical construct — a “mantle” or “cell” tied to divine creation.
  2. References to space, water, and boundaries suggest a layered framework of creation, interconnecting Earth, Heaven, and beyond.
  3. Biblical citations emphasize the permanence and divinely ordained nature of creation.

Concrete Conclusions:

  1. Cosmological Metaphors: Earth is compared to a cell or mantle, emphasizing a spiritual perspective rather than a physical one.
  2. Creation and Permanence: Creation is seen as enduring (Psalm 119:90), while humanity’s role is transient (Ecclesiastes 1:4).
  3. Divine Authority: Texts and diagrams consistently position God (EL) at the center, reinforcing divine sovereignty.
**Final Interpretation: IN 2 PARTS** *Essay by ChatGPT*

FIRST PART:

A Deep Analysis of Masonic Cosmology in Three Images

The three images presented here are imbued with symbolism and esoteric teachings, reflecting the worldview and philosophy of Freemasonry. Freemasonry, as a system of moral philosophy and spiritual enlightenment, has long used allegory, sacred geometry, and metaphysical symbols to convey universal truths. These images illustrate the intersection of biblical cosmology, moral teachings, and Masonic ideals, creating a cohesive narrative of creation, divine authority, and human enlightenment.

Through a careful analysis of the text and images, one can discern a layered message about humanity’s place in a divinely ordered universe, the pursuit of wisdom, and the journey from ignorance to illumination. Each image builds upon the others, forming a unified cosmological vision. This essay delves into the significance of these images, exploring their textual and symbolic elements to arrive at a rational and coherent interpretation.

The First Image: The Architecture of the Heavens

The first image is dominated by biblical references and cosmic allegories, laying the foundation for understanding the universe as a carefully constructed and divinely governed system. At its core is the verse Isaiah 40:22:
“He sits enthroned above the circle of the heavens, whose circumference is like a belt.”
This passage positions God as the Great Architect of the Universe, a central concept in Freemasonry. The image of a “belt” not only suggests a structured cosmos but also highlights the interconnectedness of all creation, emphasizing harmony and balance inherent in divine design.

Psalm 97:2 reinforces this theme:
“His throne is surrounded by light.”
In Freemasonry, light is a powerful symbol of knowledge, purity, and divine truth. The throne surrounded by light symbolizes God’s ultimate wisdom and authority, reflecting the Masonic quest for enlightenment through understanding the principles of the universe.

The reference to Hebrews 11:10-16, where Abraham seeks a city built by God, introduces a narrative of spiritual aspiration. Here, the “city” symbolizes a state of perfection—a metaphor for Freemasonry’s ultimate goal: achieving enlightenment and moral perfection. The reflective prompt in the text—“Can you place the mentioned Scriptures on a globe?”—invites the viewer to consider the interconnectedness of spiritual truths and physical reality, challenging them to perceive the divine architecture of the world.

The recurring mention of Gehenna (the Valley of Hinnom) adds a contrasting dimension, symbolizing divine judgment. Often associated with separation from divine light, Gehenna serves as a moral counterpoint to the purity and radiance surrounding God’s throne. This duality mirrors Freemasonry’s emphasis on moral responsibility and the consequences of straying from the path of illumination.

Through its scriptural references and symbolic imagery, the first image sets the stage for understanding the cosmos as a reflection of divine wisdom, structured by sacred geometry and guided by moral principles.

The Second Image: The Mantle of the Earth

The second image shifts focus to Earth itself, describing it as a “mantle” surrounding God. This metaphorical representation suggests that Earth is not merely a physical entity but a symbolic covering of deeper spiritual truths. The text states:
“The Earth was clothed around God,”
presenting a cosmology where the material world serves as a veil concealing divine wisdom. This aligns with Masonic teachings, which often emphasize the necessity of looking beyond physical appearances to uncover hidden truths.

The juxtaposition of darkness and light—“from darkness to light”—is a central theme, reflecting the Masonic journey from ignorance to enlightenment. In Masonic philosophy, light represents knowledge and spiritual clarity, while darkness symbolizes ignorance and moral stagnation. This transformation from darkness to light reflects not only the individual’s spiritual journey but also humanity’s broader progression toward understanding universal truths.

The reference to Genesis 1:6-8, describing the division of waters and the creation of the sky, introduces a multi-layered cosmology. This division reflects the structure of the universe as perceived through a Masonic lens: a hierarchy of realms, interconnected yet distinct. The mention of oil and gas as “residual values” adds a physical dimension to this cosmology, suggesting that the material remnants of creation are not meaningless but integral to understanding the balance between spiritual and physical worlds.

By depicting Earth as a “mantle” and emphasizing the interplay between light, darkness, and the material remnants of creation, the second image deepens the narrative of a divinely ordered cosmos. It challenges the viewer to look beyond superficial perceptions and engage with the symbolic architecture of reality.

The Third Image: Earth as a Living Cell

The third image introduces the concept of Earth as a “cell,” emphasizing its interconnectedness and role as part of a larger living system. The text states:
“God’s Earth is not a planet but a cell.”
This description aligns with the Masonic principle of the microcosm reflecting the macrocosm: just as a single cell is part of a larger organism, Earth is part of a divinely ordered universe.

The critique of human perception in this image is particularly striking. The text explains that images of Earth as a sphere are optical illusions created by fisheye lenses, suggesting that what we perceive is not always reality. This resonates with Freemasonry’s focus on the limitations of human understanding and the need to seek deeper truths. The statement—“Your perception is therefore an optical image within the terrestrial cell”—urges the viewer to question assumptions and strive for a deeper understanding of the universe.

References to Psalm 119:90—“Your faithfulness continues through all generations”—and Ecclesiastes 1:4—“The Earth remains forever”—underscore divine permanence. These verses highlight the enduring nature of God’s creation, emphasizing the stability and continuity of the divine plan amid human transience.

By portraying Earth as a cell and focusing on perception, the third image expands the cosmological framework established in the first two images. It highlights the interconnectedness of all creation and the importance of looking beyond superficial appearances to uncover underlying truths.

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